Version 7.9 changes the way you patch in Wire forever. Open the monitor menu by clicking on the radar icon in the bottom right of every monitor. We’re now taking this one step further by introducing preview monitoring of screens from the advanced Output and the CrossFader. Since version 7.7 you can create as many preview monitors you like and directly monitor layer and groups. Preview Advanced Output Screens & CrossFader #17124 Crash opening Advanced output with v6 AdvancedOutput.xml.#17114 Text parameters are missing from the REST-API.#17109 Crash unplugging thunderbolt hub.#17079 AV clips can reset their in/out point going from 7.8 to 7.9.#17021 Mouse sets color on both mousedown and mouse release on color picker, should only do it on down.
#Resolume arena 5 cant read avi mp4#
#16940 Render from mp4 can have crackling at the peaks.#16888 Turn on ZeroConfig for WebServer.#16708 Transform positions from v6 clip can translate to wrong position in v7.#17075 External Key/Fill with Blackmagic cards does not work as expected.#17110 Show invalid connection on load as red cord.#17107 Slice info shape doesn’t match with Slice with weird resolutions.#17065 Video player should not reset play position when clicking play.#17037 Crash double clicking monitor source text in monitor panel.
#16872 Add wrapping to the Substring node.#16871 Converting Multi-Channel strings into a single channel with Merge Node.#16820 ALT + SHIFT Click to select entire “branch” in wire patch.#16387 Choice Input, Buttons or Dropdown.#15925 String to Float & Int Conversion.But now you can enable some dummy test slices on the Slices input node in Wire so you can actually see what you’re doing before loading your patch in Arena. There was no way to see what your slices were doing until you loaded the patch in Arena. Wire Test SlicesĬreating a patch with slice inputs in Wire was like programming blindfolded. With the new blend modes dropdown menu you can favourite the blends you use the most and fold down the rest so they are out of the way. You got this huge list of blend modes and transitions but often use only a handful. Quickly selecting a different blend mode for a layer was always a bit of a pain in the a$$.
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